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The iconic "Parallel Cinema" movement of the 1970s and 80s, spearheaded by legends like Adoor Gopalakrishnan and Aravindan, utilized this geography to explore existentialism. In Adoor’s Elippathayam (The Rat Trap), the crumbling ancestral home mirrors the decay of the feudal system and the entrapment of the protagonist. The heavy rains that often punctuate these films are not just weather—they represent emotional catharsis, cleansing, or sometimes, an oppressive gloom. an oppressive gloom.
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