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Katsaros argues that this “controlled regurgitation” helps bridge the gap between rote practice and genuine invention, allowing musicians to improvise fluently without sacrificing originality.
I stared at it for a moment, letting the syllables roll across my tongue as if they were notes in an improvisational solo. Re‑gu‑ri‑ta‑tion —a cascade, a reversal, a breath pulled back into the lungs only to be expelled with a new shape. In the world of scat, every phrase is a mouthful that must be swallowed, chewed, and then flung back into the rhythm.
"ScatBook 21 11 17 Kaitlyn Katsaros Regurgitatin..."