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Around 2010, a tectonic shift occurred. The arrival of Traffic (2011) and the blockbuster Drishyam (2013) signaled the death of the "single-hero-saves-all" formula. Suddenly, the script was the star.
While the 1960s and 70s were defined by the romantic idealism of superstars like Prem Nazir (who famously held a Guinness record for playing the lead in 87 films), a counter-current was brewing. Writers like M.T. Vasudevan Nair and directors like Adoor Gopalakrishnan and G. Aravindan began to export Kerala’s culture to the world via the arthouse circuit.
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Around 2010, a tectonic shift occurred. The arrival of Traffic (2011) and the blockbuster Drishyam (2013) signaled the death of the "single-hero-saves-all" formula. Suddenly, the script was the star.
While the 1960s and 70s were defined by the romantic idealism of superstars like Prem Nazir (who famously held a Guinness record for playing the lead in 87 films), a counter-current was brewing. Writers like M.T. Vasudevan Nair and directors like Adoor Gopalakrishnan and G. Aravindan began to export Kerala’s culture to the world via the arthouse circuit.
