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Performance-driven drama reaches its peak during the confrontation between Sister Aloysius (Meryl Streep) and Father Flynn (Philip Seymour Hoffman). The power of the scene lies in its containment of emotion

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Highlighting conflict by placing opposites together. For example, in The Godfather For example, in The Godfather Mabel (Rowlands) tries

Mabel (Rowlands) tries to hold a normal family dinner after a breakdown. She is trying so hard to be "okay" that she breaks everything she touches. The power here comes from the . Unlike stage acting, cinema allows us to see the pores, the twitching eye, the desperate smile that doesn't reach the eyes. When her husband (Peter Falk) finally snaps, it isn't a movie fight—it is two people drowning in real time. The drama is powerful because it is uncomfortably real. Unlike stage acting, cinema allows us to see