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Reshma’s era ended abruptly between , driven by two major factors: Her career faced a sudden downfall between 2003 and 2005

Malayalam cinema, often referred to as Mollywood, is not merely an entertainment industry but a cultural artifact deeply interwoven with the socio-political and historical fabric of Kerala, India. Unlike many regional cinemas that prioritize commercial formulas, Malayalam films have historically engaged in a realistic and reflexive dialogue with the state’s unique culture—characterized by high literacy, matrilineal history, communist politics, religious diversity, and the geographical specificity of the backwaters and Western Ghats . This paper argues that Malayalam cinema serves as both a mirror and a moulder of Kerala culture. It examines three key phases: the golden age of realism (1950s-80s), the transition to commercial mass cinema (1990s-2000s), and the contemporary "New Generation" wave (2010s-present). Through textual analysis of landmark films and their cultural contexts, the paper explores how cinema negotiates themes of caste, class, migration, gender, and globalization, ultimately revealing the evolving anxieties and aspirations of Malayali identity. She has not been seen or heard from